First Draft Done — Now the Real Work Begins

Entering the Messy, Beautiful Middle

This last week, something quietly huge happened: I printed my first full manuscript draft.

Right now the whole thing lives in a pink binder on my desk, pages bristling with sticky notes. I sit with it in the afternoon (during nap time of course), highlighter in hand, coffee going lukewarm as I underline sentences I love and circle the ones that make me wince. Next to me is a battered composition notebook where I’m catching all the thoughts that don’t fit neatly in the margins—new scene ideas, questions for myself, little notes like “Is this actually what she would do?”

I’ve also done the terrifying thing: I shared the draft with three beta readers. They are reading slowly, carefully, sending back thoughtful notes that land in my inbox like small, honest mirrors. I won’t pretend it’s easy. Even gentle criticism can sting, especially when it touches a line I secretly loved. But I’m surprised by how grateful I feel, too. Their feedback is already helping me see the book more clearly, beyond my own attachment to how I first wrote it.

So yes, I’m in the season of “killing my darlings”—letting go of pretty sentences that don’t serve the story, reshaping chapters, asking harder questions. It’s vulnerable and a little exhausting, but also strangely grounding. This is the work. This is where the book becomes alive.

If you’re here, reading this, you’re part of that process with me. Thank you for walking alongside me in this messy, beautiful middle. I can’t wait to see where the pages go from here—and to bring you with me as they change.

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